The Tunnels

The Tunnels

Underneath the Adina Hotel on Victoria Square (entrance via the Adina Hotel courtyard).

When: 19th April – 2nd May 2013

Did you know that our city has a series of old, disused tunnels that once connected buildings across the city? I’ve always associated Adelaide’s ‘underground’ with sub-cultures and crusty punks, never once did I consider that we had a sub-terra network reminiscent of cities like Vienna.

The Tunnels is new visual art and performance space that makes use of Adelaide’s underground tunnels, exposing the underground as an exciting and unusual part of our city. Beneath the Adina Grand Hotel, the basement tunnels will be transformed into an unexpected venue. Artists have been asked to respond to themes derived from the context; Oxygen/Humility for the first exhibition, and Beneath/Roots for the second. The exhibitions run for two weeks each, and feature 32 exhibiting artists, and 28 performing artist. The artists involved in The Tunnels are all young and emerging artists from SA who work across a variety of artforms. The focus on performance art is really noteworthy, adding a dynamism to the exhibition experience.

Curated by the team at Artsake productions, The Tunnels present art as something that can be experienced. They make use of the unusual venue to build awareness of the encounter with the artworks and performances. 

Also check out the ABC News coverage here!

Text: Copyright Adele Sliuzas, originally published on The Thousands

Sally Smart

Sally Smart

Pedagogical Puppet Project

Greenaway Art Gallery

3^rd April until May 5th

The Pedagogical Puppet Project, showing at Greenaway Gallery, is a new body of work by artist Sally Smart, looking at deconstruction and reconstruction of ideas and images. Smart uses collage, but not in a primary school cut and paste kind of way, she somehow makes it no so kitsch. She produces large-scale wall installations; constructing a scene through an assortment of images, silk-screened fabrics, felt and pins. For this project, her practice has taken a turn towards performance works, and the use of puppets, which introduce the element of time.

Within the work Smart to takes on a Doctor Frankenstein role. She splices and constructs, stitching together bodies from disparate pieces. The characters are uneasy, mutated and unstable. For the Pedagogical Puppet Project, Smart has included a text element that sits alongside the collages within the tableau. They relate to pedagogy, the painted black walls reference schoolroom blackboards and the smell of chalk dust. These texts act in a similar way to the collage, they are constructed from stitching together ideas and, like the images, form a space that is uneasy and un-whole. By breaking things down Smart is able to reconsider and even re-inscribe concepts that are often considered fixed.

IMAGES

1. Sally Smart, Choreographing Collage/I Build My Time (detail), 2013, synthetic polymer paint on canvas with various collage elements, size and elements variable

2. Sally Smart, The Pedagogical Puppet Projects, installation view at Greenaway Art Gallery, 2013

3. Sally Smart, Choreographing Collage #1 (Pedagogical Puppet series), 2012, digital photograph, 65.5. x 65.5.cm, Ed 5 + 2 AP

All images courtesy the artist and Greenaway Art Gallery

TEXT:  Copyright Adele Sliuzas, originally published on the thousands

Make it Pozible!!!

Hey Folks,

As you may know, I am starting my own small business as an Arts Writer and Curator! I am really passionate about what I do and I have a lot of ambition, so I have recently decided to turn this into my business! I am currently undertaking Certificate IV in Small Business Management, which is teaching me SOOOO much about how to run a business. The combination of my skills & experience as a curator, and my training as a business person will mean that my venture is sure to succeed!

I have decided to start a pozible campaign to try and raise a bit of money towards the start-up costs of the business. I need your help to make my venture a success!

Pozible is a crowdfunding platform for creative projects and ideas. Basically, its helps to raise funds for people like me to be able to realise their aspirations and make great things possible! It is really easy to use, you can check out my campaign and read about my project here:

http://pozible.com/adelesliuzas

AND I even made this cool video to let you know a little about it!

Pozible acts as a way that you can help me raise the $1000 I need to get my business started. You can pledge as little as $10 or as much as you want. For the moment, the money you donate is just a pledge, it will only come out of your account if I reach my total goal of $1000. PLUS, if you do pledge there are cool rewards: Private tours of exhibitions, photographic prints, curatorial consultancies, and exhibition catalogues!

A core component of my business is supporting talented and emerging local artists, so in supporting my campaign, you will also be supporting the Adelaide Arts community. 

Thanks for taking the time to read about my project, I hope that you can help me out by making a pledge. Please email me if you have any questions regarding my business or my pozible campaign. 

PS. if you're interested in keeping up to date with what I am doing as a writer and curator, please join my mailing list 

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Ordinary Escapes and Other Magic

Ray Harris and Celeste Aldahn

Ordinary Escapes and Other Magic

SASA Gallery,

2^nd of April to 10^th of May

Opening night Wednesday 3rd April at 6pm

Artist Talk at 5pm

Creating fantasy worlds is something that our 21^st society seems to be fairly good at. Escaping into online personas, we constantly create impressions of ourselves that neither whole, nor completely divorced from each other. In their exhibition Ordinary Escapes and Other Magic, Celeste Aldahn and Ray Harris explore fantasy as a way of reworking reality. Working within the field of sculpture/installation, the exhibition includes objects, video works, paintings and drawings. Through each of their practices, they look at a facet of reality that they have termed ‘bedroom culture’, it is personal, self-reflexive, maybe even anti-social. They become the subject, and the narrator, of self-delusions and self-deception.

The collaboration between Aldahn and Harris is a no-brainer, the parallel between their practices is obvious, especially when you consider their partiality to glitter. The idea of fantasy as a means of escape is explored in different ways by each of the artists. Aldahn merges crafty kitsch with teen witch, she exposes teen magic and girl power as ways that girls negotiate difficult times, searching for independence and escaping from realities. Harris approaches escapism through building immersive worlds. Her large scale diorama sculptures operate as gateways to alternative dimensions and experiences of the self, when you step inside you escape to a whole new world.

Images: Top: She blows Blizzards, hd video, 2013 (Ray Harris)

Middle: She splutters Darkness, hd video, 2013 ( Ray Harris)

Bottom: Waxing and Waning, Hd digital video, 2012

( Ray Harris and Celeste Aldahn) courtesy of the Artists

TEXT: Copyright Adele Sliuzas, originally published on the thousands

Sign up to my Newsletter

As you may know, I have some really exciting curatorial projects coming up over the next few months, and into the next year. 

I have just started a newsletter as an easy way to communicate with everyone about these projects and events! The newsletter will contain interesting information about artists that I am working with, reviews and previews of exhibitions alongside info about my curatorial projects. 

If you are interested in signing up, please click this link, or enter your email in the 'subscribe' form on the side of the screen!

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Image: Curator's walk through for Arts SA Emerging Curators Program 2012, for my exhibition titled 'Take Care', photo by Amelia O'Connor

Tim Sterling and Troy Innocent

Tim Sterling, Platzangst and Troy Innocent, Asemic Writing 1

Hugo Michell Gallery

Opening night, 21^st March 6pm

Running 21^st March to 27^th April

With technical precision and high attention to detail, Tim Sterling is an artist who builds worlds. Platzangst, the title of his the exhibition at Hugo Michell Gallery, is a German word used for both agoraphobia and claustrophobia, a double meaning referencing anxiety felt in places and spaces. Using industrial materials, in this case Sterling opts for plywood, he constructs intricate installations from small repeated elements; a multitude of tiny ply H beams form a larger architectural structure. Sterling also explores space and perspective through drawing. A repeated texta dash forms a wall of bricks that balances precariously and threatens collapse, fraying at the edges.

Alongside Tim Sterling, Hugo Michell is showing work by transmedia artist Troy Innocent whose exhibition, Asemic Writing 1, uses urban street culture and graffiti tagging to explore systems of language and communication. Like Sterling, Innocent builds worlds through looking at how individual elements construct systems. Innocent has developed a program that produces a language of glyphs through recombining marks and gestures used in tags. The indecipherable language looks familiar, but doesn’t mean anything and can be read only for its aesthetic value.

Tim Sterling, Page 3, 4 (detail), 2012

Troy Innocent , autograf, 2009, asemic writing system program

TEXT: Copyright Adele Sliuzas, originally published on the thousands